There were three distinct aristocracies in Washington. One of these, (nick-named the Antiques,) consisted of cultivated, high-bred old families who looked back with pride upon an ancestry that had been always great in the nation’s councils and its wars from the birth of the republic downward. Into this select circle it was difficult to gain admission. No. 2 was the aristocracy of the middle ground . . . No. 3 lay beyond; of it we will say a word here. We will call it the Aristocracy of the Parvenus—as, indeed, the general public did. Official position, no matter how obtained, entitled a man to a place in it, and carried his family with him, no matter whence they sprang. Great wealth gave a man a still higher and nobler place in it than did official position. If this wealth had been acquired by conspicuous ingenuity, with just a pleasant little spice of illegality about it, all the better. This aristocracy was “fast,” and not averse to ostentation.
The aristocracy of the Antiques ignored the aristocracy of the Parvenus; the Parvenus laughed at the Antiques, (and secretly envied them.)From Mark Twain’s The Gilded Age: A Tale of Today
Tag: Carl Weeks
Hemingway & Weeks
Carl Weeks was a man of action. “If you dream it,” he once declared, “you can build it.” Weeks achieved a considerable amount of success in his life: a magnate of the cosmetics industry, his business made him a millionaire by his mid-forties. Salisbury House itself stands as a testament to the man’s financial success and purposeful vision.
Carl and Edith Weeks: Book Smugglers?
The Library at Salisbury House contains an undeniably important collection of early 20th Century, English-language literature and manuscripts, providing yet another enduring testament to the high levels of critical foresight and refinement that Carl and Edith Weeks applied when making their various cultural acquisitions. Interestingly enough, the act of purchasing some of the most important books in the Library also likely involved Carl and Edith skirting the laws of the day, as the works of James Joyce, D.H. Lawrence, Sinclair Lewis, William Faulkner and many others were banned regionally, nationally or even internationally at the time of their publication.