Two of the first things one encounters when entering the Great Hall of Salisbury House is the pair of 18th-century bronze, Japanese toad statues. These oversized garden creatures are guest favorites and have children and adults alike, exclaiming excitement when they see them.
A diverse collection of textiles were among the many fine furnishings and decorative arts acquired by Carl and Edith Weeks for Salisbury House. The collection spans an incredible breadth of space and time, from 1920s Navajo weavings to 16th century French tapestries.
Textile preservation is underway at Salisbury House. The pair of Louis XVI style armchairs currently residing in Edith’s Dressing Room has certainly seen better days. The sunshine from the nearby window has not been kind to these two lovely ladies over the years. With the new curtains being installed in this room by the end of December, it was time to stabilize the chairs’ upholstery and preserve what remains of it.
World War I decimated a generation. Fought from July 1914 to November 1918, the war’s poison gas, trench warfare, and horrific bloodletting tortured millions and made a mockery of Enlightenment beliefs in the progress of mankind. A classic war poem by Wilfred Owen (1893-1918) poignantly illustrated the terrors visited upon those caught up in the Great War:
The early weeks of December often bring a welcome variety to one’s mailbox: Christmas cards. These envelopes, a nice respite from the usual junk mail and bills, reflect a long-held tradition of exchanging postal pleasantries at Christmastime. The Weeks family, who built Salisbury House in the 1920s, kept this custom as well. Our collections here at the museum contain a few samples of the Weekses’ own Christmas cards, and other cards and holiday greetings penned by well-known artists and writers of the twentieth century.